Pancamukhi Shiva — Lalita Kapilavai — Traditional Artist
© Lalita Kapilavai — Traditional Artist. Digital Atelier & Cultural Archive. Digital reproduction, automated screen captures, and unauthorized printings are strictly prohibited.

Pancamukhi Shiva
Natural pigments, shell gold and shell silver on wasli paper • L= 24cms; W= 21.5cms
Pancamukhi Shiva
Iconographic Commentary & Symbolism
Shiva is one among the trinities in the pantheon of Hindu gods who is always engaged in the five divine acts of creation, preservation, destruction, concealment and revealing. The five faces related to these cosmic activities are Sadyojata, Vamadeva, Aghora, Tatpurusha and Ishana pointing to the directions of north, west, south, east and space respectively.
The Basohli artist conceived this tantric form of Shiva with five faces and ten arms. There is a creation myth associated with Shiva. The sacred syllable ‘Om’ emerged from the playing of Shiva’s drum while he performed the ‘Anandatandava’ during the creation. The entire universe was created from that primordial sound. A classical musical instrument veena symbolically placed in this painting suggests this act of Shiva.
He holds different attributes in his ten arms: garland of skulls, bowl of elixir, arrow, flag, sword, drum, bow, shield and axe. The tenth arm is left in his lap indicating a meditative gesture. His five faces are emphatically depicted by the artist, with the central one in three quarters and the remaining four in profile. His body is coiled by many snakes and smeared with the sacred ashes. He is seated on a sprawling corpse of an elephant as he is also known by the name Pashupati. The figure occupies the entire part of the painting while the artist tries to accommodate narrow strips of sky and foreground following the traditional style.
Scan in physical gallery or exhibition floor for curatorial provenance.
